Art History, Renaissance through Modern Essay Example | Topics and Well Written Essays - 2000 words

Art History, conversion through Modern - Essay ExampleRenaissance was a reaction to the Middle Ages and serve as the foundation for the sequent Baroque period in Europe. Its etymological meaning is rebirth of classical antiquity, pertaining to the revival of arts and sciences after it was diminished because of the emphasis on religion. However, it should be observe the majority of the art work where commissioned either for the Church or by supporters of it (Gombrich, 1995). The period also marked the significance developments in artistic technique which included the development of linear perspective, spatial composition and definition of the proportions for human form. The most notable artist of the period includes Leonardo Da Vinci, Michelangelo, Raphael as wholesome as Boticelli who while was briefly eclipsed by the first three artists rose to contemporary regard. However, the Da Vinci, Michelangelo and Raphael have been more specifically associated as High Renaissance artists or for the latter Renaissance arts (Stokstad, 2004).One of the Botticellis portraits, early example, if not more pure examples, of the renaissance style is featured in Figure 1. From the example, the dependant, a woman of elite standing, dominates the frame. The figure is limited to the upper half or bust of substance, emphasizing the identity of the individual rather than her form. It is likely that Botticelli positioned the subject in such a way to facilitate the effect of the light coming from what appears to be a window in the background of the painting. The impression derived is that the work was through with(p) via formal sitting in studio or small space.In comparison to the other portraits in this paper (see figure 2 and 3), the positioning of the subject provides little detail for the rest of the paintings composition. The dark background with only a hint of a window as detail provides a direct blood with the subjects red-sleeved dress. The background provides little de tail or insight regarding the personality of the subject and essentially on serve to highlight the visual image of the subject.TechniqueThe subject is defined finely from the background. In a similar manner, details on the subject itself are very definite, if not stark. The technique is reflective of the subscription to classical techniques that try form and figure. There are no discernable brushstrokes and colors are mixed smoothly. Also, the portrait in itself is reminiscent of busts in relief since though on that point is more depth and application of lighting techniques, there little suggestion of movement or interaction with its space. Lighting techniques were used predominantly to create seventh cranial nerve characteristics, emphasizing the forehead, nose and chin, again reflective of the classical influence. The features are associated with having strong character or persona and therefore may have been emphasized to croak the social stature of the subject of the painting . The subjects complicated coiffure and quality of clothing also reinforce this idea. The light used is quiet harsh but not so much that the figure of the subject to seem like it is outdoors. Shadowing and graduations in hue on the body of the subject suggests that the light source has tall and angled from the window in the back